In the last few weeks, I’ve seen two films made by Panos Cosmatos — Beyond the Black Rainbow, and Mandy. The former was widely panned by critics and has a low approval rating on Rotten Tomatoes, while the latter has been lauded by critics and audiences alike.
Meanwhile, I’m baffled as to how these films could be received so differently when they are so similar to each other.
- Both films are set in 1983.
- Both are retro as all hell, a la Stranger Things, down to all kinds of wonderful details like the fashion and furniture of the time.
- Both films utilize a plodding, glacial pace.
- The dialogue in both films is delivered in a slow, dream-like way.
- Both films clock in at about 2 hrs.
- Both films tell simple fantasy stories (BtBR is about an evil doctor that imprisons a girl who has psychic powers, Mandy is about a guy seeking vengeance against some religious fanatics who killed his spouse, and their biker-demon henchmen) but tell them in ways and dress them up with interesting storytelling devices that make the films seem more complex.
- Both films are quite violent, and have scenes where sharp spikes are driven into some poor bastard’s mouth — Cosmatos seems to have a fascination with penetrating orifices with sharp things. I like it.
- Both films wear their influences on their sleeves, quite overtly: for example, the biker-demons in Mandy are clearly inspired by the Cenobytes from Hellraiser, while the “devil’s teardrop” knife from BtBR and Red’s axe from Mandy are clearly inspired by the films of Cronenberg. And of course, though less obvious to the layman, the slow pace and dream-like qualities of both films hearken to the films of both Lynch and Kubrick.
- Both films share a nod to 80’s metal: in BtBR, it’s the ‘heshers’ listening to Venom by a campfire; in Mandy, its the Motley Crue and Black Sabbath shirts she is usually seen wearing.
I think both films are fine (though I much prefer BtBR, most likely due to it leaning a bit more toward the sci-fi and horror genres) and very similar so I don’t understand why one was shat on while the other is celebrated. I bet it has everything to do with Cage being in Mandy, and all the sycophants pushing each other out of the way to eagerly suck a star’s dick.
I’ve said it before and I’ll say it again: critics are fucking idiots. They are as biased as anyone else — nay, more so since they are paid to write their drivel and Hollywood hype machines don’t mind throwing a few coins at the monkeys when it’s to their advantage — so their opinions are actually less valid than yours or mine. Don’t pay any god damned attention to them. Just watch what you want to watch, and feel about it however you feel. You don’t need a fucking critic to tell you what moves you and what doesn’t.